Tuesday, June 13, 2017
'Guess we're outlaws whether we want to be or not.'
In post-pulp days Frank Gruber made good in television. He was a co-creator and credited "Script Consultant" for the Tales of Wells Fargo show, which pitted Dale Robertson's troubleshooter Jim Hardie against outlaws factual and fictional. A hallmark of the show that we presumably can credit to Gruber is its often-sympathetic treatment of the historical outlaws. A totally made-up badman could be totally, irredeemably bad, but when Hardie met the famous ones he often discovered redeeming qualities in them. There's a precedent for that in Gruber's "Young Sam Began to Roam" (Short Stories, April 10, 1940. "Young Sam"is Sam Bass, a bandit portrayed in this story (and in a Wells Fargo episode where Chuck Connors played him) as a relatively happy-go-lucky fellow with no real mean streak in him. Bass reputedly never killed anyone in his brief outlaw career, making him an ideal candidate for the sympathetic treatment. The really noteworthy thing about the story is the narrative trick Gruber plays. He sets the story up as an elegiac remembrance of Sam by a surviving gang member, Eddie Slocum, who settled down and started a family and a ranch. Slocum's memories are provoked by cowboys singing the folk ballad that gives the story its title. The main story has an omniscient narrator rather than Slocum's "I," recounting how Slocum fell in with Sam after getting ripped off by a mining company. Gruber gives us Sam Bass's greatest coup, the $60,000 robbery of a Union Pacific train, and a (made-up?) episode in which the gang cons a town into betting against Sam's legendary superhorse, the Denton Mare, in an impromptu race. Along the way, Slocum meets Ruth, the woman who'll become his wife, but events eventually rush toward the betrayed Bass gang's fatal encounter with the Texas Rangers. The narrative climaxes as Sam sees Slocum take a bullet in the chest, and then we return to the present and learn the truth that adds a tragic tinge to all we'd read before. For it was Eddie Slocum who took a mortal wound that day and was mistaken for Sam Bass, and it was Sam, already poised to quit the outlaw life, who took Eddie's identity and settled down with Ruth. Apparently Ruth knew the truth all along -- she tells Sam that she talked to Slocum before he died -- but this seems to be the first time Sam actually told the whole story. For all intents and purposes Sam Bass the legendary laughing outlaw is dead, for "Slocum" doesn't laugh much anymore, for Eddie was his "heart." Ruth assures him that the long imposture was the right thing to do and okay with her, but that doesn't make the ending any happier. It does, however, end with just the effect Gruber wanted.